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Landscape Plan

Concept

The forest of columns is created with a pattern to camouflage the buildings and spaces within them, allowing for blocks of open space that can be occupied by different groups of people. This playful pattern also allows for parking spaces and pedestrian paths to be fully integrated within the site and the landscape. The topography is designed so the areas around the columns are dipped into the ground and then gradually slops up. This undulating landscape allows for water to collect around each column. The paths between columns is slightly elevated so that it remains visible and dry. This landscape is designed in a way to create natural paths in between columns and allow for water collection around the columns in order to assist the site with flood management. 

Landscape Elevation

Process

The forest of columns is created with a pattern to camouflage the buildings and spaces within them, allowing for blocks of open space that can be occupied by different groups of people. This playful pattern also allows for parking spaces and pedestrian paths to be fully integrated within the site and the landscape. The topography is designed so the areas around the columns are dipped into the ground and then gradually slops up. This undulating landscape allows for water to collect around each column. The paths between columns is slightly elevated so that it remains visible and dry. This landscape is designed in a way to create natural paths in between columns and allow for water collection around the columns in order to assist the site with flood management. 

Program:

1. 500 Seat Theatre
2. Black Box Theatre
3. 220 Seat Theatre
4. Back of House
5. Social Space
6. Classrooms
7. Studios
8. M+E 
9. Cafe
10. Restaurant
11. Gallery

Building System

This building bridges across the basin, adjacent to Cherry Street. The program is divided into three distinct buildings based off the 500 seat theatre, black box theatre, and 220 seat theatre. The section chosen is of the black box theatre and ampitheatre which sits at the centre of the basin.

The facades between the buildings are triple glazed curtain walls with operable windows to maximize daylighting and natural ventilation throughout the spaces. A closed-loop system draws heat from the ground itself, using a continuous loop of special buried plastic pipe. Copper tubing is used in the case of DX systems. The pipe is connected to the indoor heat pump to form a sealed underground loop through which an antifreeze solution or refrigerant is circulated. All piping for antifreeze solution systems must be at least series 100 polyethylene or polybutylene with thermally fused joints (as opposed to barbed fittings, clamps or glued joints), to ensure leak-free connections for the life of the piping. Properly installed, these pipes will last anywhere from 25 to 75 years. They are unaffected by chemicals found in soil and have good heat-conducting properties. The antifreeze solution must be acceptable to local environmental officials. DX systems use refrigeration-grade copper tubing.

On average, an EES will yield savings that are about 40 percent more than would be provided by an air-source heat pump. This is due to the fact that underground temperatures are higher in winter than air temperatures. As a result, an EES can provide more heat over the course of the winter than an air-source heat pump.

World Within Worlds

The desire for this project was to create a world, separate from the reality that we live in-a world within a world. One that encourages a viewer to explore their own theatre of thoughts, to withdraw from the material and to discover the ephemeral. Hidden within a forest of columns, this space will house three types of theatre: a blackbox, 500-person, and 250-person theatre.
 

The forest of columns camouflages the three buildings and spaces within them, allowing for pockets of open space that can be occupied by various activiites. This playful pattern allows for parking spaces and pedestrian paths to be integrated within the site and the landscape. The topography, designed to dip around columns for water collection and flood management, create lifted paths that curve with the undulating surface.


The building forms responds to the theatre programs within. Where each lift that occurs on the underside of the buildings, correspond to the location of major performance spaces. These lifts open to the stepped promenade creating a vibrant space for outdoor gathering accessible to theatre attendees and the public.

Partner: Yasmina Parto

Advisor: James Macgillvary

Implementation

The facade of all three buildings are wrapped in channel glass. The channel glass has an opaque translucency, allowing for light, shadow, and movement, to be seen but nothing more. Between the three buildings is a moment of clarity. Finished in a curtain wall facade, the space between the three theatres creates  a visual connection linking the buildings together. 

The lifts which occur along the undersides of each building, correspond to the location of every major performance space. Seating is located directly above the negative space created by these lifts in the floors, allowing outdoor observers to glimpse the interior design without being inside any of the buildings. The lifts in each building open to the stepped promenade, allowing for the public to make use of the space and creating a vibrant space for outdoor gathering accessible to all, regardless of whether they are attending the theatre or not.

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